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Give now: Christmas offering for Jesus in Love

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I am collecting a Christmas / Year-End offering to support my work at Jesus in Love for LGBT spirituality and the arts.

Give now by clicking the “GoFundMe” button below or visiting my donate page.



Your contributions bring hope, stand up for artistic and religious freedom, and free people to experience the divine in new ways.

“Some of our best resources, that push the edges and make us re-evaluate, do not have a regular source of funding. This one is well worth your donation,” says contributor Nancy Radclyffe.

Jesus in Love is my gift to the world. What do you feel called to give in return?

Since I launched JesusInLove.org in 2005, it has grown to include the popular Jesus in Love Blog and e-newsletter and a new Spanish-language blog .

All-time page views at the Jesus in Love Blog reached almost 1 million this year. Page views are up more than 30 percent to 167,000 in the past 12 months. The Jesus in Love Newsletter recently grew beyond 1,000 subscribers, with more than 100 new people signing up in 2014.

Numbers alone can't express the impact of Jesus in Love on people's lives. Listen to the voices of readers:

“Provocative, inspiring, uplifting!”
-- Jason Wood

“A very well written, well researched and always wonder-filled blog.”
-- Br. Mark D'Alessio

"Jesus in Love is the most radically progressive and life affirming Christian LGBT site on the Internet that I have ever seen. Kudos to Rev. Kittredge Cherry for pushing the spiritual envelope and causing us to ponder (and even debate) the deeper things of God. Well done!!!”
-- Ernesto Borges Torres

I am passionately committed to Jesus in Love because it grew out of my own personal journey as a lesbian Christian. You can read my bio at Jesusinlove.org.

I still need $1,425 for the annual budget. Costs were up this year with a major website update, purchase of a new computer, and travel to the American Academy of Religion annual meeting. Regular expenses for Jesus in Love include Internet access, website design and hosting, newsletter service, computer maintenance, bank fees, office supplies and overhead.

Many thanks to EVERYONE who has given their time, talent and resources this year. Merry Christmas and happy New Year!

Merry Christmas from Kittredge Cherry and Jesus in Love

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Merry
Christmas
from 
Kittredge Cherry
and
Jesus in Love

I bring you good tidings of great joy,
which shall be to all people. For unto you
is born this day in the city of David
a Savior, which is Christ.

-- Luke 2:10-11

Chist is born in a way that liberates people from limitations of gender, race and sexual orientation in the minimalist “Color Nativity” by British artist Sebastian Bergne.

The plain wooden blocks evoke the essence of the holy scene simply through color, shape and placement.

While many queer Nativity scenes have been presented at the Jesus in Love Blog, the Color Nativity empowers viewers to discern for themselves whether any LGBTQ people were present at the manger scene… or whether the baby Jesus may have been born queer.

Kittredge Cherry and Jesus in Love wish you a most merry Christmas and much happiness throughout the New Year. Make the Yuletide gay and enjoy all the midwinter holidays!

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Sebastian Bergne’s art has been widely recognized with international design awards, frequent publications, exhibitions and inclusion in museum collections such as The Museum of Modern Art (New York) and the Design Museum (London).

Credit: “Colour Nativity” is designed by Sebastian Bergne and available from www.buysebastianbergne.com.

Queer Kwanzaa: Queer black Jesus icon presented for African American holiday

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“Neither” by David Hayward

A rare icon of a queer black Jesus is presented here for Kwanzaa, a weeklong celebration of African American culture starting Dec. 26. Many families and congregations have adopted Kwanzaa into their spiritual life.

It’s almost impossible to find a Christ figure that expresses both LGBTQ identity AND non-white racial / ethnic identity. “Neither” by David Hayward is one of these uncommon treasures.

“Neither” shows a dark-skinned Jesus who is obviously half male and half female in the style of the Hindu deity Ardhanarishvara. He/she has a rainbow halo and holds a transgender symbol.

The title “Neither” comes from the Bible: “There is neither Jew nor Greek, there is neither slave nor free, there is neither male nor female; for you are all one in Christ Jesus.” (Galatians 3:28). Thus it embodies Kwanzaa principles of unity and faith.

People celebrate Kwanzaa by giving gifts, lighting a set of seven candles in the African colors of red, green, and black, and sharing an African feast on New Year’s Eve. Each of the seven days honors a principle from African heritage: unity (umoja), self-determination (kujichagulia), collective responsibility (ujima), cooperative economics (ujamaa), purpose (nia), creativity (kuumba), and faith (imani). Kwanzaa was created in 1965-66 by Maulana Karenga, chairman of black studies at California State University, in Long Beach based on harvest festivals in Africa.

“Neither” was painted by Canadian artist David Hayward, also known as Naked Pastor. He has a master's degree in theology and 30 years of pastoral experience. His most recent book is “The Art of Coming Out: Cartoons for the LGBTQ Community.” Prints of “Neither” are available from Naked Pastor’s online shop.

Happy Kwanzaa from Kittredge Cherry and Jesus in Love!

A few 2014-2015 books on LGBTQ African American Christian subjects are highlighted here as an extra Kwanzaa gift:

LGBT: In The Name of God: The Black Church's Response to the LGBT Community” by Christopher James Priest with a foreword by Benjamin L. Reynolds.

In the Life and in the Spirit: Homoerotic Spirituality in African American Literature” by Marlon Rachquel Moore.

A Queering of Black Theology: James Baldwin's Blues Project and Gospel Prose” by E.L. Kornegay.

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Related links:
Kwanzaa 2014 (Metropolitan Community Churches)

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This post is part of the LGBT Calendar series by Kittredge Cherry at the Jesus in Love Blog. The series celebrates religious and spiritual holidays, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to lesbian, gay, bisexual, transgender and queer people of faith and our allies.
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Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

John the Evangelist: Beloved Disciple of Jesus

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“Jesus and the Beloved Disciple” by Laurie Gudim

“John the Apostle resting on the bosom of Christ,” Swabia/Lake Constance, early 14th century. Photo by Andreas Praefcke. (Wikimedia Commons)

John the Evangelist is commonly considered to be Jesus’ “Beloved Disciple” -- and possibly his lover. His feast day is today (Dec. 27).

The love between Jesus and John has been celebrated by artists since medieval times. And the idea that they were homosexual lovers has been causing controversy at least since the 16th century.

John was an apostle of Jesus and is the presumed author of the Gospel of John, the Book of Revelation and the Epistles of John. The Bible describes their warm relationship in depth. John left his life as a fisherman to follow Jesus, who nicknamed him “son of thunder.” John participated in many of the main events in Christ’s ministry. He was one of the three who witnessed the raising of Jairus' daughter, the transfiguration and Jesus' agony in Gethsemane.

The unnamed “disciple whom Jesus loved” is referenced five times in the gospel of John (John 13:23, 19:26, 20:22, 21:7, 20). Church tradition identifies him as John himself. He reclined next to Jesus at the Last Supper, resting his head on Jesus’ chest. He was the only male disciple present at the crucifixion. From the cross, Jesus entrusted the Beloved Disciple and his mother Mary into each other’s care. There is even a medieval European tradition that John and Jesus were the bridal couple at the Cana wedding feast.

The idea that Jesus and his Beloved Disciple had a sexual relationship dates back at least to the early 16th century, when English playwright Christopher Marlowe was tried for blasphemy on the charge of claiming that “St. John the Evangelist was bedfellow to Christ and leaned always in his bosom, that he used him as the sinners of Sodoma.” In 1550 Francesco Calcagno, a citizen of Venice, was investigated by the Inquisition for making the heretical claim that “St. John was Christ’s catamite,” which means a boy or young man in a pederastic sexual relationship with an older man.

Many modern scholars have expressed belief that Jesus and his Beloved Disciple shared a an erotic physical relationship. They include Hugh Montefiore, Robert Williams, Sjef van Tilborg, John McNeill, Rollan McCleary, Robert E. Goss and James Neill. A thorough analysis is included in “The Man Jesus Loved: Homoerotic Narratives from the New Testament” by Theodore Jennings, Biblical theology professor at Chicago Theological Seminary. He finds the evidence “inconclusive” as to whether the beloved disciple was John, but it leaves no doubt that Jesus had a male lover.

“A close reading of the texts in which the beloved disciple appears supports the hypothesis that the relationship between him and Jesus may be understood as that of lovers. As it happens, both Jesus and the beloved are male, meaning that their relationship may be said to be, in modern terms, a ‘homosexual’ relationship,” Jennings writes (p. 34).

An entire chapter is dedicated to John as the bride of Christ in the 2013 book “Saintly Brides and Bridegrooms: The Mystic Marriage in Renaissance Art” by Carolyn D. Muir, art professor at the University of Hong Kong.

After Jesus died, John went on to build a close, loving relationship with his younger disciple and scribe, Prochorus, bishop of Nicomedia. Tradition says that John was the only one of Christ's original 12 apostles to live to old age, and the only one not killed for his faith. He died in Ephesus around 100 AD.

“The Calling of St. John,” a 12th-century miniature, shows Jesus coaxing John away from his bride, and John resting his head Jesus’ chest. The Latin text means, "Get up, leave the breast of your bride, and rest on the breast of the Lord Jesus." *

One of the earliest images of John and Jesus together is a little-known 12th-century miniature, “The Calling of St. John.” It depicts two scenes: Christ calling the disciple John to leave his bride and follow him, and John resting his head on the breast. Jesus cups the chin of his beloved, an artistic convention used to indicate romantic intimacy.

Over the centuries many artworks have illustrated the deep love between Jesus and his Beloved Disciple. One of the newest is the 2012 icon “Jesus and the Beloved Disciple” by Laurie Gudim near the top of this post. Based in Colorado, Gudim is an artist, Jungian psychotherapist and progressive Episcopalian.

Her work uses a motif dating back at least to the 13th century. The long artistic tradition depicts John as the Beloved Disciple resting his head on the breast of Jesus. It can be seen in an early 13th-century stained glass window at the Cathedral of St. Etienne at Bourges and in “Christus Johannes Gruppe” (Christ John Group) by the unknown Master of Oberschwaben. This sculpture spent many centuries in an Augustinian convent in Inzigkofen, a town in the region of Sigmaringen in southwestern Germany.  A museum in Berlin acquired in it the early 20th century, and it is now housed in the Bode Museum of the Prussian Cultural Heritage Foundation.

“Christus Johannes Gruppe” (Christ John Group) by the unknown Master of Oberschwaben, oak sculpture, 1320.

The loving embrace between John and Christ was a popular subject during the early 1300s in Swabia, the region of Germany on the Swiss border near Bodenese (Lake Constance). Prolific artists created many versions. Today one of them is housed in the Cleveland Museum of Art in Ohio.

Another fine early sculpture in this style is "St. John Resting on Jesus' Chest," circa 1320, which can be seen online at the Museum Mayer van den Bergh in Antwerp and the Web Gallery of Art. It was sculpted by Master Heinrich of Constance for the the Dominican convent of St. Catherine's valley in Switzerland. These were devotional images intended to help viewers deepen their connection to Christ.

In Germany the image is so important and iconic that it has even been made into a postage stamp. The subject is known as "Christus Johannes Gruppe" (Christ John Group) or Johannesminne (John Love), with minne being a Middle High German word for erotic-emotional love. Many of these images were actually created for women, not men, to contemplate. Most if not all of the Johannesminne statues were created for Dominican convents and nunneries. Wikimedia Commons displays a set of 10 statues of “John Love” (Johannesminne) in Germany at this link.

1967 German Stamp with "Christ-John Group" (Wikimedia Commons)

John's intimacy with Jesus at the Last Supper continued to fascinate artists as the centuries passed. Examples from the 1500s include an Albrecht Durer print and a sculpture at the Italian basilica known as Sacro Monte di Varallo (Sacred Mountain of Varallo).

Detail from “The Last Supper” by from the Small Passion by Albrecht Durer, 1511

Detail from “The Last Supper” by an unknown master, ca. 1500-05 at Sacro Monte di Varallo in Piedmont, Italty (Photo by Stefano Bistolfi, Wikimedia Commons)

In the 1600s French painter Valentin de Boulogne presented a more humanistic view of Jesus and John. His painting uses dark shadows to heighten the emotional impact.

“St. John and Jesus at the Last Supper” by Valentin de Boulogne (1591–1632) (Wikimedia Commons)

In the 1800s the intimate bond between the two men is emphasized in “One of his disciples, whom Jesus loved” by the French painter Ary Scheffer (1795-1858).

“One of his disciples, whom Jesus loved” by Ary Scheffer

A variety of contemporary artists have done new interpretations of John and Jesus together. They include “Christ the Bridegroom” by Robert Lentz, a Franciscan friar known for his innovative icons. Author-priest Henri Nouwen, famous but struggling with a secret gay identity, commissioned it in 1983. He asked for an icon that symbolized the act of offering his own sexuality and affection to Christ. Research and reflection led Lentz to paint Christ being embraced by his beloved disciple John, based on an icon from medieval Crete.

Christ the Bridegroom, Br. Robert Lentz, OFM, © 1985.

“Henri used it to come to grips with his own homosexuality,” Lentz said in an interview for my book “Art That Dares,” which includes this icon and the story behind it. “I was told he carried it with him everywhere and it was one of the most precious things in his life.” Nouwen’s goal was celibacy and he did not come out publicly as gay before his death in 1996. The icon takes the Biblical theme of Christ as bridegroom and joins it to the medieval motif of Christ with John. The resulting image expresses their intimate friendship with exquisite subtlety.

Atlanta artist Becki Jayne Harrelson painted another especially loving version of Jesus and the Beloved at the center of her “Last Supper.” Unlike the classic icons of Jesus and the Beloved Disciple, her painting shows the two men gazing at each other and holding hands. She is a contemporary lesbian artist who uses LGBT people as models in her religious art. Raised in a fundamentalist Christian family, she uses art to express her passion for justice. Her story is also told in “Art That Dares.”

Detail from Study for The Last Supper
by Becki Jayne Harrelson

Another icon celebrating the love between Jesus and the beloved disciple was painted by Jim Ru (below). It was displayed in his show “Transcendent Faith: Gay, Lesbian and Transgendered Saints” in Bisbee Arizona in the 1990s.

“Jesus and the Beloved Disciple” by Jim Ru

In recent years some artists have adapted the classic iconography to other racial and ethnic groups. For example, John Giuliani's “Jesus and the Beloved Disciple” shows the figures in the native dress of the Aymara Indians, descendants of the Incas who still live in the Andean regions of Chile, Peru and Bolivia. Giuliani is an Italian-American artist and Catholic priest who is known for making Christian icons with Native American symbols. He studied icon painting under a master in the Russian Orthodox style, but chose to expand the concept of holiness to include Native Americans, the original inhabitants of the Americas.

“Jesus and the Beloved Disciple” by John Giuliani, 1996

One more picture of Jesus and his beloved must be mentioned, even though permission was not granted to display it here on the Jesus in Love Blog (yet). It is well worthwhile to click the title to see this stunningly beautiful photo of Jesus and his Beloved Disciple as black Africans:

“Every Moment Counts” (from “Ecstatic Antibodies”) by Rotimi Fani-Kayode

Fani-Kayode (1955-1989) was a Nigerian photographer who explored themes of sexual and cultural difference, homoerotic desire, spirituality and the black male body, often in collaboration with his late partner Alex Hirst. Their last joint work was "Every Moment Counts" from 1989. In it a beloved disciple leans against black Christ figure who wears pearls over his dreadlocks as he gazes toward heaven. “The hero points the way forward for the lost boys of the world - the young street-dreads, the nightclub-chickens, the junkies and the doomed,” Hirst explains on their website.

A poem that addresses the homoerotic love between Jesus and John as is “The Third Dance of Christmas: A Fiddle Dance for St. John’s Day” by a poet who wants to be known only as Joe. It begins:

Sweet John was a dancer
on the shore of old Capernaum
a lovely boy not fit for fishing
or carpentry, or marrying.
They tell he left his empty boat
for the sake of the bold young fellow
who looked at him that April morn
and said, my love, come follow.

The whole poem is posted at this link.

I also wrote about John as the beloved disciple in my novels “Jesus in Love” and “At the Cross.” In honor of John’s feast day, I post this scene from “Jesus in Love: A Novel.” Jesus, the narrator, remembers the day he met John:

I became distracted by the not unwelcome presence of somebody standing close behind me, closer than necessary in the loosely packed crowd. I sensed that it was John, and spun around to see him planted there like a tall cedar tree. He leaned against me, eyes flashing. “I can’t wait for the Messiah to come. I’ve seen him in visions.”

“Really? Tell me what you remember.” It was exciting to find someone who was aware of God’s efforts to communicate.

“The Messiah is like a gentle lamb who sits on a throne with a rainbow around it. And yet his eyes flame with fire, and a sharp sword comes out of his mouth to strike down evildoers.”

“The truth is large,” I said.

“Are you saying my vision isn’t true?” he challenged.

“No, I’m not saying that. I expect that you will see more.”

When John smiled, his faced crinkled into a fascinating landscape of wrinkles. His eyes felt black and mysterious like the midnight sky as they roamed over me. “Do you want a prayer partner tonight?” he asked.

If anyone else had asked, I would have said no, but I looked again at John’s handsome, bejeweled soul and his long, sinewy body.

“Sure,” I agreed impulsively.

Only then did I notice that the Baptist had finished preaching. John steered me toward the caves where the Baptist and his inner circle of disciples lived. Lower-ranking disciples were ready with water vessels and towels to assist everyone with ritual purification before we ate a spartan meal of locusts and wild honey. One of them approached me.

“Wash up, and we’ll get together after supper,” John said as we parted.


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Related links:

Pharsea’s World: Homosexuality and Tradition: Jesus, John and Lazarus
Disciple whom Jesus loved (Wikipedia)

St John the Evangelist and Prochorus” (Queer Saints and Martyrs)

Saint John in art

Brother, Bride and alter Christus: The Virginal Body of John the Evangelist in Medieval Art, Theology and Literature” by Jeffrey F. Hamburger

Jesus’ Gay Wedding at Cana (Queering the Church)

San Juan el Evangelista: Discípulo Amado de Jesús (Santos Queer)

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Special thanks to Ann Fontaine for the introduction to Laurie Gudim and to Kevin Elphick for various suggestions.

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This post is part of the LGBT Saints series at the Jesus in Love Blog. Saints and holy people of special interest to gay, lesbian, bisexual and transgender (GLBT) people and our allies are covered on appropriate dates throughout the year.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

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Icons of Christ the Bridegroom, John the Evangelist and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores





David and Jonathan: Love between men in the Bible

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David and Jonathan window (detail) fromSt. Mark's Portobello, Edinburgh, Scotland, 1882

Love between men is celebrated in the Bible with the story of David and Jonathan. They lived about 3,000 years ago, but they still inspire LGBT people of faith -- and many others. David’s feast day is today (Dec. 29).

The two men met when David was a ruddy young shepherd.  Jonathan, a courageous warrior, had returned victorious from battle.  Jonathan was the eldest son of Saul, Israel’s first king. David was taken to see King Saul right after beheading the Philistine giant Goliath. Scholars estimate that David was about 18 and Jonathan was at least 10 years older.

Jonathan fell in love at first sight of the handsome young hero. As the Bible says, “The soul of Jonathan was knit to the soul of David.” Their story gets more chapters in the Bible than any other human love story.

David, the second king of Israel, was an acclaimed warrior, musician and poet. He is credited with composing many of the psalms in the Bible. The gospel genealogies list David as an ancestor of Jesus.

The modern idea of sexual orientation didn’t exist in Biblical times, but the powerful love story of Jonathan and David in 1 and 2 Samuel suggests that same-sex couples are affirmed and blessed by God.

Artists throughout the ages have tried to capture the drama and passion of their story, beginning with the moment that David and Jonathan met.  A beautiful romantic version of their first meeting appears on their stained-glass window at St. Mark's Portobello, a Scottish Episcopal church in Edinburgh. The inscription states, “The soul of Jonathan was knit with the soul of David” (1 Samuel 18:1).

David and Jonathan window fromSt. Mark's Portobello, Edinburgh, Scotland, 1882

Created in 1882, the window has a dedication at the bottom: “In loving memory of George Frederick Paterson of Castle Huntly who died at Portobello, 30th Sept. 1890, aged 33.” All that is known about Paterson is that he was in the army and unmarried. The window was paid for by "a friend."

“Jonathan Greeting David, after David killed Goliath” by Gottfried Bernhard Goez, 1708-1774 (Wikimedia Commons)

Soon after David and Jonathan met, the two men expressed their commitment by making a covenant with each other. The dramatic moment is described in 1 Samuel 18:3-4: “Then Jonathan made a covenant with David, because he loved him as his own soul. Jonathan stripped himself of the robe that he was wearing, and gave it to David, and his armor, and even his sword and his bow and his belt.”

Ryan Grant Long, a young gay artist based in Wisconsin, emphasizes the homoeroticism of the gesture as Jonathan strips off his robe and wraps it around David with a kiss on the neck in the image at the top of this post. For more about Long, see my previous post Artist paints history's gay couples.

“David and Jonathan” by Ryan Grant Long

A more traditional view is presented by 16th-century Italian painter Cima da Conegliano. In both images David is still carrying the head of Goliath as he bonds with his new friend Jonathan, hinting at the union of violence and eroticism.

“David and Jonathan” by Italian painter Cima da Conegliano, 1505-1510 (Wikimedia Commons)
“Jonathan Made
a Covenant with David”
by Trudie Barreras
Collection of
First Metropolitan
Community Church
of Atlanta

In contrast Atlanta artist Trudie Barreras shows the new friends both putting aside their armor to make a covenant with each other (left).

The Bible chronicles the ups and downs of David and Jonathan’s relationship over the next 15 years, including tears and kisses. King Saul is jealous of David's popularity and keeps trying to kill him, while his son Jonathan rescues his friend in various ways. An 18th-century German “friendship medal” (below) captures another highlight as Jonathan pledges to David, “I will do the desires of your heart” (“Ich will die thun was dein Herz begehrt”) from 1 Samuel 20:4.

German friendship medal of Jonathan and David by Philipp Heinrich Müller, c.1710 (Wikimedia Commons)

Other artists focus on a dramatic moment that came later when Jonathan met David at a pile (or "ezel") of stone to warn him that Saul intended to kill him. An 1860 woodcut by German artist Julius Schnorr von Carolsfeld illustrates that tearful farewell scene from 1 Samuel 20: 41-42:

"Then they kissed each other and wept together—but David wept the most. Jonathan said to David, “Go in peace, for we have sworn friendship with each other in the name of the Lord, saying, ‘The Lord is witness between you and me, and between your descendants and my descendants forever.’”

“David and Jonathan” woodcut for "Die Bibel in Bildern", 1860, by Julius Schnorr von Carolsfeld (Wikimedia Commons)

Detail from "David and Jonathan
at the Stone Ezel"
by Edward Hicks
Another version of the farewell scene was painted by American folk artist and Quaker minister Edward Hicks in 1847.  In both paintings a boy can be seen carrying away their weapons.  In the lower right Hicks places a scene of the Good Samaritan rescuing a downtrodden man.  Interestingly, the Jonathan and David window at St. Mark's Portobello is also paired with a window showing the Good Samaritan.

"David and Jonathan at the Stone Ezel" by Edward Hicks, 1947

David and Jonathan became so close that it looked like someday they would rule Israel together. But that day never came because Jonathan was killed in battle. David mourned deeply for him with a famous lament.

There are many translations of 2 Samuel 1:26, each one expressing how the love between Jonathan and David was “greater than,” “more wonderful than,” “deeper than” or otherwise “surpassing the love of women.”

I grieve for you, Jonathan my brother;
you were very dear to me.
Your love for me was wonderful,
more wonderful than that of women.

The love between the two men is honored in a golden icon by Brother Robert Lentz. Unlike most images of Jonathan and David, the Lentz icon shows Christ above blessing their relationship. It is one of 10 Lentz icons that sparked a controversy in 2005 when conservative Roman Catholic leaders accused Lentz of glorifying sin.

Jonathan and David by Br. Robert Lentz, OFM
www.trinitystores.com

Contemporary gay Israeli artist Adi Nes gives shocking clarity to David and Jonathan by using images of homoeroticism and homelessness to subvert stereotypes about people in the Bible. The triumph of David over Goliath is often used to symbolize Israel’s military victories over its enemies, but Nes chooses to depict David as a vulnerable youth with a crutch, leaning on another young man for love and support. Dirty and unkempt, they embrace beneath an industrial overpass covered by graffiti. They look battered, perhaps from a gay bashing. The tender moment suggests the scenes when “the soul of Jonathan was knit to the soul of David” or when “they kissed each other and wept together.” (For more about Adi Nes, see my previous post “Gay Israeli artist Adi Nes humanizes Bible stories. “

“Untitled (David and Jonathan)” by Adi Nes

Gay-positive Bible scholars have written extensively about the relationship between David and Jonathan. The classic book on the subject is “Jonathan Loved David: Homosexuality in Biblical Times” by Thomas Horner.

Jonathan and David embrace.
Manuscript illustration, circa 1300
La Somme le roy
The love between the two men is celebrated is also celebrated in literature, including the poem “The Meeting of David and Jonathan” by 19th-century English poet John Addington Symonds. He is known as an early advocate of male love (homosexuality) and wrote many poems inspired by his own homosexual affairs. In “The Meeting of David and Jonathan” he writes:

There by an ancient holm-oak huge and tough,
Clasping the firm rock with gnarled roots and rough,
He stayed their steps; and in his arms of strength
Took David, and for sore love found at length
Solace in speech, and pressure, and the breath
Wherewith the mouth of yearning winnoweth
Hearts overcharged for utterance. In that kiss
Soul unto soul was knit and bliss to bliss.

The full poem appears in “Many Moods: A Volume of Verse” by Symonds.

It’s impossible to know whether David and Jonathan expressed their love sexually. Some consider David to be bisexual, since the Hebrew scriptures also recount how he committed adultery with Bathsheba and later made her one of his eight wives. There is no doubt that many people today do honor David and Jonathan as gay saints.

Their story is used by contemporary LGBT Christians to counteract conservatives who claim that the Bible condemns homosexuality. The “David loved Jonathan” billboard below is part of the Would Jesus Discriminate project sponsored by Metropolitan Community Churches. It states boldly, “David loved Jonathan more than women. II Samuel 1:26.” For more info on the billboards, see our previous post, “Billboards show gay-friendly Jesus.”

David loved Jonathan billboard from GLBT Christian billboards from WouldJesusDiscriminte.com and WouldJesusDiscriminte.org

The love between Jonathan and David provides a foretaste of the love between a soul and God. As 16th-century Spanish mystic John of the Cross wrote in “The Spiritual Canticle”:

“The love Jonathan bore David was so intimate, it knitted his soul to David’s. If the love of one man for another was that strong, what will be the tie caused by the soul’'s love for God, the Bridegroom; especially since God here is the principal Lover...”

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Related links:

David and Jonathan: Why did God focus on their intimate partnership? (GayChristian101)

Homosexuality and Tradition: David and Jonathan (Pharsea’s World)

Subjects of the visual arts: David and Jonathan (glbtq.com)

David the Prophet and Jonathan, His Lover (Queer Saints and Martyrs - And Others)

David y Jonatán: El amor entre hombres en la Biblia (Santos Queer)

Bible story of David and Jonathan’s first meeting: 1 Samuel 18

Bible story of Jonathan’s death: 2 Samuel 1

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Special thanks to Ruth Innes for the photo and info on the stained-glass window at St. Mark's Portobello.

Special thanks to Mitch Gould, curator of LeavesOfGrass.org, for introducing me to David and Jonathan at the Stone Ezel by Edward Hicks.  It is part of their project on LGBT Quaker history.

Special thanks to Kevin Elphick for pointing out the quote from John of the Cross.

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This post is part of the LGBT Saints series at the Jesus in Love Blog. Saints and holy people of special interest to gay, lesbian, bisexual and transgender (GLBT) people and our allies are covered on appropriate dates throughout the year.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts
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Icons of Jonathan and David and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores




Welcome the New Year with rainbow candles! Bridge of Light honors LGBT culture

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"Rainbow Reflections" by Kittredge Cherry

Welcome the new year by lighting rainbow candles for Bridge of Light, a new winter holiday honoring LGBT culture.


Rainbow Arch candle holder
People celebrate Bridge of Light by lighting six candles, one for each color of the rainbow flag, on New Year’s Eve -- or from Dec. 26 to Jan. 1, one candle per day.

Each candle stands for a spiritual principle and its expression in the lives and history of LGBT and queer people. Feel free to improvise other methods, such as using colored paper to fold origami cranes.

The candles are intended to provide a starting point for individual and group meditations on these principles:

1. Red - The Root of Spirit (Community)
2. Orange - The Fire of Spirit (Eros, sexuality, passion)
3. Yellow - The Core of Spirit (Self-esteem, courage)
4. Green - The Heart of Spirit (Love)
5. Blue - The Voice of Spirit (Justice, self-expression)
6. Purple - The Eye of Spirit (Wisdom)
7. All Candles - The Crown of Spirit (Spirituality)

Together these colors form a rainbow, a time-honored symbol of a bridge between two worlds: heaven and earth, East and West, male and female, queer and non-queer.

The principles are beautifully expressed in a new benediction prayer written for Bridge of Light by Yewtree (Yvonne Aburrow) of the Dance of the Elements Blog:

Let us embody the values of the rainbow flag of lesbian, gay, bisexual and transgender people.
Red is the root of spirit, found in beloved community,
Orange is for Eros, the fire of spirit, the experience of erotic connection,
Yellow is for self-esteem, the strong core of spirit,
Green is for love, the heart of spirit, the verdant growth of the soul,
Blue is for self-expression, the voice of spirit, calling out for justice,
Purple is the eye of spirit, which sees inwardly with the eye of wisdom.
And all the colours together form the crown of spirit, the experience of spirituality.

Joe Perez, author of “Soulfully Gay,” founded Bridge of Light in 2004. It has obvious parallels to Kwanzaa, the African-American cultural holiday started by Ron Karenga in 1966.

“Bridge of Light is an interfaith and omni-denominational cultural and spiritual tradition,” Perez says. “The annual winter ritual...has helped to draw attention to the positive contributions made by members of the LGBT community in the areas of spiritual growth, inner transformation, and religious leadership.” One of his articles on the subject is The Seven (Revised) Principles of Bridge of Light. (GaySpirituality.com)

The following summary of the seven principles of Bridge of Light includes historical time periods, foods and more about the chakras, the energy centers of the human body. I synthesized and developed this info based on the resource links at the end of this post. For Jesus in Love readers I highlighted Christian history with links to LGBT Saints. The seven principles are also matched with the seven models of the queer Christ from gay theologian Patrick S. Cheng’s new book “From Sin to Amazing Grace: Discovering the Queer Christ.. A variety of systems have developed to associate each chakra with a power animal. A few are suggested here, but feel free to follow your intuition.

1. Red - The Root of Spirit (Community)

Red evokes life, energy and blood. Shadow side: violence/death.

Time period: Before Christ / Before the Common Era
Celebrate same-sex love in goddess worship, paganism and other pre-patriarchal spiritualities, in ancient myths and cultures, and in the Hebrew Scriptures/Old Testament.

Living and Self-Loving Christ (sin as shame, grace as pride)

Mary, Diana and Artemis: Feast of Assumption has lesbian goddess roots

David and Jonathan

Ruth and Naomi

Foods: Root vegetables (carrots, beets, potatoes, etc.), protein-rich foods, sweet and spicy tastes.

Animals: Elephant, snake, mole, underground creatures.


2. Orange - The Fire of Spirit (Eros)

Orange evokes fire, passion, sexuality and relationships. Shadow side: lust/addiction.

Time period: 1st - 4th centuries
Celebrate same-sex love in the life of Christ, among early Christians, in the late Roman Empire and other cultures.

Erotic Christ (sin as exploitation; grace as mutuality)

Historical Jesus and the Beloved Disciple

Mary and Martha

Sergius and Bacchus

Perpetua and Felicity

Foods: Foods growing from ground-level to 2 feet (melons, strawberries, squash, etc.), sweet and salty tastes.

Animals: Crocodile, dolphin, underwater creatures.


3. Yellow - The Core of Spirit (Self-Esteem)

Yellow evokes courage, confidence and personal power. Shadow side: fear/anger.

Time period: Middle Ages, 4th - 15th centuries
Celebrate same-sex love in medieval times. Queer medieval Christians include pairs of lovers in monasteries and convents, writers of homoerotic verse, and cross-dressing women. Medieval mystics describe erotic-ecstatic union with God.

Out Christ (sin as the closet; grace as coming out)

Brigid and Darlughdach (c.451-525)
Symeon of Emessa and John (c. 522-c. 588)
Hildegard of Bingen (1098-1179)
Aelred of Rievaulx (c.1110-1167)
Francis of Assisi (1181-1226)
Rumi (1207 - 1273)
Julian of Norwich (1342-c. 1417)

Foods: Foods growing 2-6 feet above the ground (grains, sunflower seeds etc.), bitter and minty tastes.

Animals: Ram, bear, birds, flying creatures.


4. Green - The Heart of Spirit (Love)

Green evokes growth, nature, balance and compassion. Shadow side: jealousy/greed, hatred.

Time period: Renaissance, 15th-17th centuries (c. 1400-1699)
Celebrate same-sex love in the era that included the Age of Discovery, the Protestant Reformation and the invention of the printing press.

Transgressive Christ (sin as conformity; grace as deviance)

Joan of Arc (c.1412-1431)
John of the Cross (1542-1591)
Juana de la Cruz (1648-1695)
Gay Popes, Papal Sodomites (Queering the Church Blog)

Foods: Green leafy vegetables (broccoli, spinach, green tea, etc.), sour and savory tastes.

Animals: Antelope, wolf, mammals.


5. Blue - The Voice of Spirit (Justice and Self-Expression)

Blue evokes peace, communication and independence. Shadow side: depression/arrogance.

Time period: Modern, 1700 to 1950
Celebrate same-sex love in modern times, including gender role evolution in Romanticism, Transcendentalism, secular philosophy, and the movements for women’s suffrage and abolition.

Liberator Christ (sin as apathy; grace as activism)

Bernardo de Hoyos (1711-1735): Mystical same-sex marriage with Jesus
Jemima Wilkinson / Publick Universal Friend (1752-1819) Queer American preacher
John Henry Newman (1801-1890) and Ambrose St. John
Christina Rossetti (1830-1894) Poet who wrote Christmas carols
We’wha of Zuni (1849-1896)

Foods: Food that grows 6 feet or more above ground (apples, oranges, avocadoes, etc.), sour and salty tastes.

Animal: White elephant, personal power animal, humanity.


6. Purple - The Eye of Spirit (Wisdom)

Purple evokes vision, intuition and understanding. Shadow side: passivity/nightmares.

Time period: 1950 to present
Celebrate same-sex love and gender role defiance in recent LGBT, queer, feminist and black liberation movements, including the struggle for LGBT religious rights. LGBT-affirming churches and religious institutions are founded. Pluralistic expressions of sexuality and gender multiply, but some are martyred in anti-gay hate crimes.

Interconnected Christ (sin as isolation, grace as interdependence)

Saints of Stonewall
Harvey Milk
Bayard Rustin
Mychal Judge: Gay saint of 9/11
Matthew Shepherd
Pauli Murray

Foods: Dark purple foods (blueberries, purple grapes, red wine, etc.), subtle tastes (poppyseed, lavender, etc.).

Animal: None. Ancestors and spirit guides.


7. All Colors / White - The Crown of Spirit (Spirituality)

When all the colors of the rainbow mix, they create white light, evoking universal consciousness.


Time period: Now and the future
Celebrate same-sex love now and in the future! Be a witness of love in all its expressions. Sainthood is a state to which all are called.

Hybrid and All-Encompassing Christ (sin as singularity; grace as hybridity)

Animal: Egg, eagle, Rainbow Serpent.

Foods: Fasting. Instead of eating, inhale incense and smudging herbs such as sage. Or… Celebrate with a slice of rainbow cake!


“Rainbow Cake with Jelly Beans” (Flickr.com)

Bridge of Light continues to evolve. Aburrow suggested adding sacred foods, such as “rainbow-tinted marble cake maybe, or one food of each colour?”

I like the idea of doing a daily candle for each color, but every year Dec. 26-31 is such a busy week for me! I wonder if Bridge of Light could also be celebrated at the summer solstice in connection with LGBTQ Pride?

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Links to other resources for Bridge of Light:

Rainbow Christ Prayer: LGBT flag reveals the queer Christ (Kittredge Cherry and Patrick Cheng)

"Seven Shrines of the Body" by artist Richard Stott

Animal Chakra Symbols

The Story of the "Queer Saints and Martyrs" by Terence Weldon

Author Carolyn Myss connects the seven chakras with the seven sacraments of the church in her book “Anatomy of the Spirit: The Seven Stages of Power and Healing.”

CD set of meditations based on the chakras, “Activating Your Chakras Through the Light Rays.” It’s definitely “new age,” but it’s the best of its kind.

S(t)even Years: A 7-year art project based on the chakras by Steven Reigns

“The Myth, Magic, and Science of the Rainbow” by by Cedar Stevens
http://naturalmagickshop.com/articles/The-Myth-Magic-and-Science-of-the-Rainbow.html

Happy Bridge of Light, everybody!  Like the rainbow, may we embody all the colors of the world! Be renewed and refreshed as the New Year begins! May 2014 bring everyone peace, health and prosperity!

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Image credits:

Chakra images by Anodea Judith of SacredCenters.com

Rainbow 7th chakta image: Thousand-petaled lotus flower (Sahasrara) carrying a sacred flame (Namam) from Wikimedia Commons

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This post is part of the LGBT Calendar series by Kittredge Cherry at the Jesus in Love Blog. The series celebrates religious and spiritual holidays, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to LGBT and queer people of faith and our allies.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Epiphany: Three kings or three queens?

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“Epiphany” by Janet McKenzie, copyright 2003.
www.janetmckenzie.com
Collection of Barbara Marian, Harvard, IL

Reimagining the three kings as queer or female gives fresh meaning to Epiphany, a holiday celebrating the visit of the Magi to the infant Jesus. It is observed on Jan. 6.

The word “epiphany” also refers to a sudden, intuitive perception. By looking at the Bible and church history from a LGBT viewpoint, people can experience new insights -- their own personal “epiphanies” of understanding. New interpretations of the wise ones known as the Magi include:
  • Queer Magi. LGBT church leaders suggest that the Magi were eunuchs -- people who today would be called gay, queer or transgender.
  • Female Magi appear in a controversial painting by Janet McKenzie.
  • Queer gifts are presented to the Christ child in an icon by William Hart McNichols.
Queer Magi
The Magi played the shamanic role often filled by eunuchs, an ancient term for LGBT people, says Nancy Wilson in her book Outing the Bible: Queer Folks, God, Jesus, and the Christian Scriptures.” She writes:

“They were Zoroastrian priests, astrologers, magicians, ancient shamans from the courts of ancient Persia. They were the equivalent of Merlin of Britain. They were sorcerers, high-ranking officials, but not kings—definitely not kings. But quite possibly, they were queens. We’ve always pictured them with elaborate, exotic, unusual clothing—quite festive, highly decorated and accessorized! …Also, the wise eunuchs, shamans, holy men were the only ones who had the forethought to go shopping before they visited the baby Jesus!

They also have shamanistic dreams. They deceive evil King Herod and actually play the precise role that many other prominent eunuchs play in the Bible: they rescue the prophet, this time the Messiah of God, and foil the evil royal plot against God’s anointed.”

The concept of the queer Magi is amplified by Virginia Ramey Mollenkott, author of Omnigender. “My guess is that they were people who today would be termed transwomen,” she writes in the brochure “Gender Identity and Our Faith Communities.”

Eunuchs and cross-dressers were surprisingly common in the Mediterranean world of the Bible and later. By happy coincidence, a cross-dressing saint happens to have a feast day on Jan. 5, the day before Epiphany. Apollinaria of Egypt, put on men’s clothing and presented herself as a eunuch named Dorotheos in order to live as a monk. For more info on Apollinaria and other cross-dressing saints in early Christian communities, visit Queering the Church.

Three stylish Magi wear fabulous outfits on a 1972 German Christmas stamp (Wikimedia Commons)

Female Magi
A multi-racial trio of female Magi visits the baby Jesus and his mother in “Epiphany” by Janet McKenzie. Instead of the traditional three kings or three wise men, the artist re-interprets the Magi as wise women from around the world.

The unconventional portrayal of the Magi makes good theological sense. Barbara Marian, who commissioned the painting, explains: “The story of the Magi in the Gospel of Matthew allowed the Jewish followers of Jesus to imagine the unthinkable -- God’s grace extending to the outsiders, the gentiles. Who are the outsiders in our world? Can we imagine the favor of God extending beyond the human boundaries of race, class, nationality, ethnicity, religious devotion, and gender?”

Marian commissioned “Epiphany” for the Nativity Project, which revisits and revitalizes the Gospel with new images of women. “It’s easy to get so caught up in regal images of Matthew’s night visitors that we miss the core message -- Christ for all people,” Marian says.

Conservative Christians protested against the inclusive “Epiphany” in 2007 when it appeared on the Christmas cards of the Most Reverend Katharine Jefferts Schori, presiding bishop of the Episcopal Church.

The Standing Committee of the Episcopal Diocese of Ft. Worth, Texas, sent a notice to clergy and 2007 convention delegates condemning Jefferts Schori for her choice of art. “Happy Multicultural Feminist Celebration Day,” sneered the headline of a traditional Anglican blog where nearly 100 comments were posted condemning the image as “stupid,” “faux-nouveau hipster theology” and worse. For more info, see my previous post Conservatives blast inclusive Christmas card.

McKenzie denies the accusations that she is trying to be divisive and rewrite scripture. “Of course this is as far from my thinking as possible,” she says. “I feel called to create sacred and secular art that includes and celebrates those systematically ignored, relegated and minimized, and for the most part that is women and people of color.”

The artist continues to be amazed that her loving images provoke so much anger. “Even this gentle image of a loving Holy Mother and Child, with no agenda except to include and honor us as the nurturing feminine beings we are, surrounded in community with other women, is still misunderstood -- even at this late date,” she says.

McKenzie has weathered even bigger storms before. Her androgynous African American “Jesus of the People” painting caused international controversy when Sister Wendy of PBS chose it to represent Christ in the new millennium.

Critics focus on the content of McKenzie’s art, but her outstanding artistic style is one reason that her work attracts attention. The Vermont artist uses drawing and line with oils to build images that glow. Her painting technique and pastel colors are reminiscent of American Impressionist Mary Cassatt, who is famous for painting intimate scenes of mothers and their children.

The controversy over McKenzie’s work is a reminder of the power of art, and the continuing need for progressive spiritual images. Opposition seems to fuel her passion to paint. “We all need to find ourselves included within the sacred journey of life, and afterlife,” McKenzie says. “I have been surprised to find archaic and out-dated hate still in place, still alive and well and fueled by fear, in response to some of my art. I have made the decision to respond to such hate not in the way it comes to me, but by creating ever more inclusive art that confronts prejudice and hate. The only path open to any of us is the one of love.”

McKenzie’s art is featured in my book “Art That Dares: Gay Jesus, Woman Christ, and More” and her book “Holiness and the Feminine Spirit.”

(Special thanks to Barbara Marian for permission to quote from her article “Recasting the Magi.”)


“The Epiphany: Wisemen Bring Gifts to the Child”
By William Hart McNichols © 1984, fatherbill.org

Queer gifts

Father William Hart McNichols paints another kind of queer Epiphany. McNichols is a New Mexico artist and Roman Catholic priest whose gay-positive icons have caused controversy. He worked at an AIDS hospice in New York City from 1983-90, when many in the gay community were dying of the disease. During that period he painted “The Epiphany: Wisemen Bring Gifts to the Child.”

St. Francis and St. Aloysius are the wise men visiting the baby Jesus in this icon.  Instead of the usual gold, frankincense and myrrh, the “gifts” they bring to the Christ child are people with AIDS, perhaps gay men. The baby Jesus reaches eagerly to receive these gifts. The child and his mother appear in a form popular in Mexico and other Latino cultures as Our Lady of Guadalupe and El Santo Niño de Atocha. The halo around them echoes the colors of the rainbow flag of the LGBT community. McNichols offers a prayer with this icon:

Dearest Mary, Our Lady of Guadalupe,
Mother of the poor and the oppressed,
we watch full of reverence
and joy as St. Francis and
St. Aloysius bring the gifts of
these two people afflicted with AIDS
to the Holy Child in your arms,
who is so eager to receive them.
Teach us to find and embrace
your Son Jesus in all peoples,
but most especially those who
are in greatest need and
who suffer most.
Amen

In closing, the question arises: What gifts are queer people bringing today to Christ, the church and the world?
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Related links:

LGBTQ Nativity 4: Queer Magi visit Mary, Josephine and Jesus

Magi: Followers of the Light (Jesus Loves Gays Blog)

“Wise Women Also Came” and Women’s Christmas by Jan Richardson

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This post is part of the LGBT Calendar series by Kittredge Cherry at the Jesus in Love Blog. The series celebrates religious and spiritual holidays, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to LGBT and queer people of faith and our allies.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts



Major LGBT magazine covers Passion book censorship as religion versus free speech

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Intriguing analysis of Facebook censorship of the new gay Passion of Christ book appears in the latest issue of an important national magazine, the Gay and Lesbian Review / Worldwide.

“It’s not the visual images but the idea of Jesus as a gay man that’s being suppressed,” editor-in-chief Richard Schneider Jr. notes in his “BTW” column for the January/February 2015 issue.

He sees it as an example of “a syndrome that’s been identified by writers like Richard Dawkins and Christopher Hitchens: the peculiar immunity of religious ideas from the free speech protections that apply to every other realm of life.’

Facebook initially blocked ads for “The Passion of Christ: A Gay Vision” by Kittredge Cherry when the book was released in October, but reversed the decision after pressure from the LGBT community and news media.

The book features Doug Blanchard’s paintings of Jesus as a gay man of today in a modern city. As Schneider points out, “in most of the book’s illustrations it’s not all that obvious that the central figure is even ‘gay.’”

The Gay and Lesbian Review is a bimonthly magazine of history, culture and politics for thinking LGBT people and allies. Library Journal described it as “the journal of record for LGBT issues.” It has a circulation of 11,000.

I left the following comment on the Passion article at glreview.org, which is under the subhead "Book versus Facebook":

You raise an important point when you say that the Facebook suppression of our Passion book illustrates “the peculiar immunity of religious ideas from the free speech protections that apply to every other realm of life.” Traditional religious ideas do get enshrined and exempted from the usual rigors of public debate. But what about alternative religious ideas?

Far from receiving “peculiar immunity,” Christians like me who believe that Jesus may have been queer find our sincerely held religious idea is suppressed as “anti-Catholic,” “blasphemy,” “offensive” or even “hate speech.” The debate often gets framed as if our religion is nothing more than free speech that desecrates religion. Meanwhile OUR religious images and texts are deprived of customary protection granted to mainstream religions. Overtly LGBT-positive religious images and ideas tend to be silenced or ridiculed.

LGBT-affirming Christians have had to put up with garbage, and aren’t we religious too? A powerful example is included in this same issue of the Gay and Lesbian Review – the 1973 photo of Rev. Troy Perry in the rubble of the burnt-down Metropolitan Community Church where he dared to preach God’s love for all people, including sexual minorities. (See “The Revolution was Photographed.” )

On the bright side, Facebook reversed its decision and “resurrected” the ads after pressure from the LGBT media and community.

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Related links

Book website: passionofchristbook.com

Facebook u-turns to allow gay Jesus crucifixion ad (Gay Star News)

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts




Jeanne Manford: PFLAG founder who loved her gay son

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Jeanne Manford in 1993 with a photo of her gay son Morty

Jeanne Manford loved her gay son so much that she founded Parents, Families, and Friends of Lesbians and Gays (PFLAG). She died two years ago today on Jan. 8, 2013, at age 92.

Her son, the late Morty Manford, was beaten during a gay rights protest in April 1972.  She responded by writing a letter to the New York Post stating, “I have a homosexual son, and I love him.” A couple months later she and her son marched in New York's Christopher Street Liberation Day Parade. These actions and the support she received led to the founding of PFLAG in 1973.

PFLAG has grown to 350 chapters with 200,000 members, and Jeanne Manford is an inspiration to many. President Obama talked about her in his 2009 speech to the Human Rights Campaign National Dinner in 2009.

Thank you, Jeanne, for your courage and your love! You are counted among the LGBT saints for the huge positive impact that you had on queer people and straight allies everywhere.

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Related links:

Jeanne Manford, 92, Who Stood Up for Her Gay Son, Inspiring Others, Dies (New York Times)

PFLAG Founder Jeanne Manford Dies at 92 (Advocate)

PFLAG.org

Patron saints for straight allies of LGBT people: Adele Starr of PFLAG and others (Jesus in Love)

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This post is part of the GLBT Saints series by Kittredge Cherry at the Jesus in Love Blog. Saints, martyrs, mystics, heroes, holy people, deities and religious figures of special interest to lesbian, gay, bisexual and transgender (LGBT) and queer people and our allies are covered on appropriate dates throughout the year.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts


Je suis Charlie: Solidarity with those killed for religious images at Paris newspaper

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I post “Je suis Charlie” in solidarity with the journalists and artists killed in the attack on the French newspaper Charlie Hebdo Jan. 7.

It is French for “I am Charlie” – because I am a journalist and publisher of controversial religious art here at the Jesus in Love Blog. I honor the memory of all 12 who died in the Paris shooting and offer sympathy to their family and friends.

I am also a person of faith who opposes the use of religion as a justification for violence. The terrorists claimed that they were killing in God’s name.

Like the staff of Charlie Hebdo, I get hate mail from religious fundamentalists for what I publish -- although they usually threaten me with hellfire in the afterlife, not violence. Islamist radicals are not the only ones who feel threatened by “irreverent” images.

For example, Bill Donahue of the Catholic League responded to the Paris shootings by issuing a news release titled “Muslims are right to be angry.” (At least he begins by saying, “Killing in response to insult, no matter how gross, must be unequivocally condemned.”)

It’s easy for English-language readers to mistake the social media slogan “Je suis Charlie” for “Jesus is Charlie” – a revealing slip. It suggests that when they killed the Charlie Hebdo staff, Jesus was crucified again.

Jesus is Charlie?! I can imagine Jesus answering, “I am,” – the holy phrase God spoke to Moses from the burning bush and that Jesus used multiple times to declare himself in John’s gospel. Jesus himself was charged with blasphemy. It was one of the charges that led to his crucifixion.

The deaths at Charlie Hebdo echo the martyrdom story of the Passion. I wrote about the crucifixion (and resurrection) of Jesus in my new book “The Passion of Christ: A Gay Vision.” It features art that Doug Blanchard painted while grappling with his own faith struggles as a gay New Yorker who witnessed the 9/11 terrorist attacks.

The purpose of reflecting on the Passion is not necessarily to worship Christ, but to remember the ongoing cycle of human violence, and to seek a way to move from suffering to freedom. The Passion story invites each viewer to stand at the cross as a compassionate witness—and to take up their own cross, whatever it may be.

On the Facebook page for “The Passion of Christ: A Gay Visison,” Doug spoke for both of us when he posted this message today:

“Of course we are Charlie! How could we be anything else? Our book takes on matters of religion, sexuality, and politics. Some people love us and some hate us.”

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Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts
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This post is part of the Artists series by Kittredge Cherry at the Jesus in Love Blog. The series includes a section on censorship of religious art.

Aelred of Rievaulx: Gay saint of friendship

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St. Aelred of Rievaulx
By Brother Robert Lentz, OFM, www.trinitystores.com

Aelred of Rievaulx (1109-1167) is considered one of the most lovable saints, the patron saint of friendship and also, some say, a gay saint. His feast day is today (Jan. 12).

Aelred was the abbot of the Cistercian abbey of Rievaulx in England. His treatise “On Spiritual Friendship” is still one of the best theological statements on the connection between human love and spiritual love. “God is friendship… He who abides in friendship abides in God, and God in him,” he wrote, paraphrasing 1 John 4:16.

Aelred’s own deep friendships with men are described in Christianity, Social Tolerance, and Homosexuality by Yale history professor John Boswell. “There can be little question that Aelred was gay and that his erotic attraction to men was a dominant force in his life,” Boswell wrote.

Boswell’s account inspired the members of the LGBT Episcopal group Integrity to name Aelred as their patron saint. Click here for the full story on how they won recognition for their gay saint.

Aelred certainly advocated chastity, but his passions are clear in his writing. He describes friendship with eloquence in this often-quoted passage from his treatise On Spiritual Friendship:

“It is no small consolation in this life to have someone who can unite with you in an intimate affection and the embrace of a holy love, someone in whom your spirit can rest, to whom you can pour out your soul, to whose pleasant exchanges, as to soothing songs, you can fly in sorrow... with whose spiritual kisses, as with remedial salves, you may draw out all the weariness of your restless anxieties. A man who can shed tears with you in your worries, be happy with you when things go well, search out with you the answers to your problems, whom with the ties of charity you can lead into the depths of your heart; . . . where the sweetness of the Spirit flows between you, where you so join yourself and cleave to him that soul mingles with soul and two become one.”

Aelred supported friendships between monks, comparing them to the love between Jesus and his beloved disciple, and between Jonathan and David in his treatise on spiritual friendship. Louis Crompton, professor of English at the University of Nebraska, reports in Homosexuality and Civilization that Aelred allowed the monks at his Yorkshire monastery to express affection by holding hands, a practice discouraged by other abbots.

The icon of Saint Aelred at the top of this post was painted by Robert Lentz, a Franciscan friar and world-class iconographer known for his innovative icons.  He faces controversy for his icons depicting same-sex couples. His Aelred image includes a banner with Aelred’s words, “Friend cleaving to friend in the spirit of Christ.”

Another portrait of Aelred was drawn during his own lifetime. Aelred perches on an illuminated alphabet in the medieval manuscript "De Speculo Caritatis"“Mirror of Charity.”

Portrait of Aelred of Rievaulx from “Mirror of Charity” medieval manuscript, circa 1140 (Wikimedia Commons)

Queer theologian Hugo Cordova Quero writes about Aelred in his scholarly article "Friendship with Benefits: A Queer Reading of Aelred of Rievaulx and His Theology of Friendship.” It is included in “The Sexual Theologian: Essays on Sex, God and Politics,” edited by Marcella Althaus-Reid and Lisa Isherwood.

Quero quotes and analyzes Aelred’s words from “Mirror of Charity” on the death of his first close friend, a fellow monk named Simon: “I grieve for my most beloved, for the one-in-heart with me…” He goes on to explore Aelred’s subsequent love for an unnamed monk, putting his attachments to men into historical context with queer perspective. Click here to view the article online.

Brother and Lover: Aelred of Rievaulx,” by Brian Patrick McGuire is a charming chronological account that traces the homoerotic impulse in Aelred’s life. McGuire, a history professor in Denmark, tells the story with a personal and informal writing style.

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Related links:

12th January: St Aelred of Rievaulx, Patron of Same Sex Intimacy (Queer Saints and Martyrs -- and Others)

A St. Aelred Catechism (Walking with Integrity Blog)

St. Aelred of Rievaulx (Pharsea’s World: Homosexuality and Tradition)

Worship resources for Saint Aelred (Integrity USA)

To read this post in Spanish / en español, go to Santos Queer:

San Elredo de Rievaulx: Santos gay de amistad

To read this post in Italian, go to Queerblog: Il magazine LGBT di Blogo:
Aelredo di Rievaulx, abate, santo e gay

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This post is part of the LGBT Saints series at the Jesus in Love Blog. Saints and holy people of special interest to gay, lesbian, bisexual and transgender (GLBT) people and our allies are covered on appropriate dates throughout the year.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts
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Icons of St. Aelred and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores



Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts



Queer Clergy Trading Cards bring visibility with humor

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Queer Clergy Trading Cards bring visibility to LGBTQ ministers with humor and witty style.

The fun new online visual arts project has celebrated 50 ordained Christian clergy since it was launched in November.

Queer clergy look cool on these virtual “trading cards.” Like the more familiar baseball trading cards, each card combines a portrait photo with written info about the individual.

Queer Clergy Trading Cards list each person’s strength (“super-power”), weakness (“kryptonite”) and their “walk-out song” for making a grand entrance. Some clergy are also given clever job titles such as “butch pastor,” ”femminster,” “renegade priest,” “spiritual directrix” and “inclusivator.”

Flipping through the pack of cards gives a welcome overview of the diversity and carefree spirit among today’s queer clergy. The multiracial group includes people of many ages and denominations. The cards showcase a huge variety of identities, including old-school butch dykes and liturgy queens; bisexual, transgender and genderqueer identities; and people who identify on other spectrums of gender.

"Classic identities are listed and owned such as butch dykes and liturgy queens, as well as people showcased who identify on other spectrums of gender"


“A friend was having a rough day and I wanted to help make them feel like a super hero. So I made a card! And then thought it would be fun to just... keep going,” says Rev. Chris Davies, creator of Queer Clergy Trading Cards. “The cards make queer clergy feel affirmed, and special. And it's networking us in an incredible way!”

Davies is a United Church of Christ minister who is working on her Doctor in Ministry degree in queer theology at Andover Newton Theological School in Massachusetts. Her ministry spills out over the church and into coffee shops, Pride celebrations, bars, queer spaces and the Internet.

Creator Chris Davies made a Queer Clergy Trading Card for herself too.

Queer Clergy Trading Cards are shared on their Facebook, Instagram and Twitter accounts. “While not in print-- YET-- the possibility seems firmer that they will be with each passing day,” according to their Facebook page.

“I've heard people who are not religious say that this has opened their eyes up to ministry in totally different ways than they imagined ministry could be... from youth to adults inside queer spaces and out. And for that I'm so grateful,” Davies told the Jesus in Love Blog.

New cards will continue to come out sporadically, and the project may move to an interfaith expansion in the future.

Queer Clergy Trading Card’s Facebook page addresses one more burning question:

Oh you want to be a card?
1.) Be Queer
2.) Be Christian clergy-- licensed/ordained
3.) Message us!

Other recent projects have taken a serious look at queer clergy, such as “We Have Faith,” a museum-quality traveling exhibit with photos of well-known LGBT and allied clergy, and the 2014 book “Queer Clergy: A History of Gay and Lesbian Ministry in American Protestantism” by R.W. Holmen.

But nobody has ever made our lives look as fun as the Queer Clergy Trading Cards!

Take a moment to view the following examples and go to the Queer Clergy Trading Cards Facebook page to see them all.


























Special thanks for the news tip to Kyle Lovett, “chaplain to the rainbow people."

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts
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This post is part of the Artists series by Kittredge Cherry at the Jesus in Love Blog. The series profiles artists who use lesbian, gay, bisexual, transgender (LGBT) and queer spiritual and religious imagery. It also highlights great queer artists from history, with an emphasis on their spiritual lives.

Saint Sebastian: History’s first gay icon

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“Saint Sebastian” by Rick Herold

Saint Sebastian has been called history’s first gay icon and the patron saint of homosexuals. His feast day is today (Jan. 20).

Sebastian was an early Christian martyr killed in 288 on orders from the Roman emperor Diocletian. He is the subject of countless artworks that show him being shot with arrows. Little is known about his love life, so his long-standing popularity with gay men is mostly based on the way he looks.

Starting in the Renaissance, Sebastian has been painted many times as a near-naked youth writing in a mixture of pleasure and pain. The homoeroticism is obvious.

“Saint Sebastian”by Il Sodoma, 1525 (Wikimedia Commons)

Other blogs have already compiled the St. Sebastian masterpieces from art history, so the Jesus in Love Blog simply posts one example and refers readers to the best of many online collections of Sebastian art:
Saint Sebastian: The Homoerotic Patron of Gay Men (Artwork I Love Blog)

The historical Sebastian actually survived the arrow attack and was nursed back to health by Saint Irene of Rome, only to be “martyred twice” when the emperor executed him later.

“Homage to Sebastian” by Tony De Carlo

Saint Sebastian is a favorite subject of contemporary gay artist Tony De Carlo, whose work is at the top of this post. He began his ongoing Sebastian series in the 1980s in response to the AIDS crisis. It has grown to more than 40 pictures.

“I chose him because he was known as the Patron Protector Saint Against the Plague, as the Plague was sweeping Europe,” De Carlo said in an interview with the Jesus in Love Blog. “It wasn't until the year 2001 when I went into a Catholic store in New Mexico, picked up a pewter statue of Saint Sebastian, and saw a label on the bottom that said ‘Patron Saint of Homosexuals.’”

Sebastian is also referenced frequently in the gay literary world. For example playwright Tennessee Williams named his martyred gay character Sebastian in “Suddenly, Last Summer,” and Oscar Wilde used Sebastian as his own alias after his release from prison.

An important film biography for many gay men today is “Sebastiane,” directed by British independent filmmaker Derek Jarman. The Latin-language 1976 film was controversial for its homoeroticism and is considered a landmark of LGBT cinema. A YouTube clip shows its beautiful style.



The painting at the top of this post is by California gay artist Rick Herold. He places Saint Sebastian against a colorful, cartoon-like backdrop reminiscent of gay artist / activist Keith Haring. “I over the years as a painter have been interested in the idea of the spirit and the flesh as one -- began by Tantric art influences and then using my Catholic background,” he told the Jesus in Love Blog. He paints with enamel on the reverse side of clear plexiglas.

Herold has a bachelor of arts degree in art and theology from the Benedictine Monastic University of St. John in Minnesota and a master of fine arts degree from Otis Institute of Art in Los Angeles. His religious artwork included a Stations of the Cross commissioned by Bob Hope for a church in Ohio before a conflict over modern art with the Los Angeles cardinal led to disillusionment with the church. Herold came out as gay and turned to painting male nudes and homoerotica.

“Saint Sebastian and Matt Shepard Juxtaposed” by JR Leveroni

“Saint Sebastian and Matt Shepard Juxtaposed” by JR Leveroni compares Sebastian’s martyrdom with the killing of a contemporary gay martyr, Matthew Shepard (1976-1998). Shepard was a student at the University of Wyoming when he was brutally beaten and left to die by two men who later claimed that they were driven temporarily insane by “gay panic.” His murder led to broadening the US hate-crimes law to cover violence based on sexual orientation and gender identity.

Leveroni is an emerging visual artist living in South Florida. Painting in a Cubist style, he portrays the suffering gay martyrs in a subdued way with barely a trace of blood. A variety of male nudes and religious paintings can be seen on Leveroni’s website.
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Related links:

Subjects of the Visual Arts: St. Sebastian (glbtq.com)

The Allure of St. Sebastian (Wild Reed)

Not Dead Yet: St Sebastian as Role Model (Queering the Church)

St. Sebastian (LGBT Catholic Handbook)

San Sebastián: Historia de icono gay primero (Santos Queer)


Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts



David Kato: Ugandan LGBT rights activist and martyr

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“David Kato” by Rod Byatt

David Kato, Ugandan LGBT rights activist, is considered a father of Uganda’s gay rights movement. He was beaten to death four years ago today (Jan. 26, 2011) in a case that some blame on anti-gay religious rhetoric.

David Kato
It is especially important to carry on Kato’s legacy now with laws against homosexuality making news recently in Africa countries such as Uganda, Nigeria and Gambia. (See links at the end of this article.)

Many have heard of the 45 Ugandan Martyrs who were killed for their Christian faith and canonized as saints. Kato can be seen as a new kind of Ugandan martyr, killed for the cause of LGBT equality.

American evangelicals helped stir up the hostility that led to Kato’s death because they promoted a law imposing the death penalty for homosexuality. The influence of the US evangelical movement in promoting the anti-homosexuality law is explored in the award-winning 2013 documentary “God Loves Uganda.” Watch the trailer below or on YouTube.



Shortly before his murder Kato won a lawsuit against a Ugandan magazine for identifying him as gay and calling for his execution. Kato’s murderer was sentenced to 30 years in prison, but the anti-gay motive for the murder was covered up in the trial.

A documentary about Kato, “Call Me Kuchu,” premiered in 2012 at the Berlin Film Festival. Watch the trailer for the video below.  "Kuchu" is the term used in Uganda for LGBT people.


Call Me Kuchu - Trailer from Call Me Kuchu on Vimeo.

Below is a news video about Kato from “The Rachel Maddow Show.” It includes scenes from Kato’s funeral, where Ugandan clergy speak both for and against LGBT rights, and David’s own voice in an NPR interview about homosexuality in Uganda.

Australian artist Rod Byatt drew the portrait of David Kato above. The stark, unfinished quality of the portrait conveys the sense of a life cut short. Byatt posted it on his blog **gasp!** (Gay Artists’ Sketchbook Project) with a reflection that begins, “We grieve over the loss of David Kato. We know that being gay is anathema to Family, Church and State, and increasingly The Media...” Byatt is part of the Urban Sketching movement that seeks to link personal identity to broader social issues.

On the anniversary of his murder, may those who honor David Kato’s legacy continue to work for justice and equality for all. May he find peace with all the other LGBT martyrs and saints who have gone before.



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Related links:

Activists, Filmmakers Mark First Anniversary of David Kato Murder (Towelroad)

Portrait of David Kato by Random Salmon

They will say we are not here (New York Times, Jan. 25, 2012)

Ugandan Activists Commemorate Anniversary of David Kato's Death (Advocate)

In Uganda, a “Fearless Voice” for Gay Rights is Brutally Silenced (Wild Reed Blog)

David Kato: A new Ugandan martyr (Queer Saints and Martyrs - And Others)

Uganda Martyrs raise questions on homosexuality, religion and LGBT rights (Jesus in Love)

Martyrs of Uganda (Walking with Integrity Blog)

Ugandan Activist David Kato Never to be Forgotten (O-blog-dee-o-blog-da)


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Recent news reports on anti-gay laws in Africa

Uganda planning new anti-gay law despite opposition (BBC.com)

Another African nation to enact anti-gay law (Gambia) (msnbc.com)

Nigeria Tries to ‘Sanitize’ Itself of Gays (New York Times)

Shock Amongst Gays in Nigeria as President signs Jail-The-Gays law (O-blog-dee-o-blog-da)


Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Holocaust Remembrance: We all wear the triangle

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A gay priest killed in the Holocaust appears in the icon
"Holy Priest Anonymous one of Sachsenhausen"
By William Hart McNichols ©

International Holocaust Remembrance Day honors the victims of the Nazi era, including the estimated 5,000 to 60,000 sent to concentration camps for homosexuality. The United Nations set the date as Jan. 27 -- the anniversary of the liberation of the Auschwitz-Birkenau camp.

Established by the UN in 2005, International Holocaust Remembrance Day recalls the state-sponsored extermination of 6 million Jews and 11 million others deemed inferior by the Nazis, including 2.5 million Poles and other Slavic peoples, Soviet prisoners of war, Gypsies and others not of the "Aryan race," the mentally ill, the disabled, LGBT people, and religious dissidents such as Jehovah's Witnesses and Catholics. Holocaust Remembrance Day aims to help prevent future genocides.

Artists who address LGBT deaths in the holocaust (or “homocaust”) include Tony O’Connell, Mary Button, William Hart McNichols, Richard Grune, John Bittinger Klomp and those who designed the world's dozens of memorials to LGBT Holocaust victims. Their art is featured here today.

The world's first LGBT Holocaust memorial was the Homomonument, opened in 1987 in the Netherlands. Queer British artist Tony O’Connell made a photo and video record of his prayers and offerings at the Homomonument in Amsterdam on Christmas Day 2014 as part of his contemporary performance art series of LGBT pilgrimages.

Holocaust Memorial Pilgrimage to Homomonument in Amsterdam by Tony O'Connell

O'Connell visits historical sites such as to the Harvey Milk Metro station in San Francisco, New York City's Stonewall Inn, and the Alan Turing Memorial Bench in Manchester. Democratizing the idea of sacredness and reclaiming the holiness in ordinary life, especially in LGBT experience, are major themes in O'Connell's work. Based in Liverpool, O’Connell was raised in the Roman Catholic church, but has been a practicing Buddhist since 1995. For more info about O’Connell’s art, see my previous post Codebreaker Alan Turing honored in queer pilgrimage by artist Tony O’Connell.

Persecution of LGBT people during the Holocaust is juxtaposed with Jesus falling under the weight of his cross in the image at the top of this post: Station 3 from “Stations of the Cross: The Struggle For LGBT Equality” by Mary Button. The painting features headshots of men who were arrested for homosexuality under Paragraph 175 of the German criminal code and sent to concentration camps between 1933 and 1945.

Jesus falls the first time and Nazis ban homosexual groups in Station 3 from “Stations of the Cross: The Struggle For LGBT Equality” by Mary Button, courtesy of Believe Out Loud

Using bold colors and collage, Button puts Jesus' suffering into a queer context by matching scenes from his journey to Golgotha with milestones from the last 100 years of LGBT history. For an overview of all 15 paintings in the LGBT Stations series, see my article LGBT Stations of the Cross shows struggle for equality.

Richard Grune, a trained artist sent to Nazi concentration camps for homosexuality, also saw a connection between Christ’s Passion and the suffering of people in the camps. After being imprisoned in Sachsenhausen and Flossenbürg, he created “Passion of the 20th Century,” a set of lithographs depicting the nightmare of life in the camps. Published in 1947, it is considered one of the most important visual records of the camps to appear in the immediate postwar years.


“Solidarity.” Richard Grune lithograph from a limited edition series “Passion des XX Jahrhunderts” (Passion of the 20th Century). Grune was prosecuted under Paragraph 175 and from 1937 until liberation in 1945 was incarcerated in concentration camps. In 1947 he produced a series of etchings detailing what he witnessed in the camps. Grune died in 1983. (Credit: Courtesy Schwules Museum, Berlin) (US Holocaust Museum)

The Nazis also denounced and attacked lesbians, but usually less severely and less systematically than they persecuted male homosexuals. Their history is told online in the article Lesbians and the Third Reich at the US Holocaust Museum.Some lesbians claim the black triangle as their symbol. The Nazis imposed the black triangle on people who were sent to concentration camps for being “anti-social.”

Identification pictures of Henny Schermann, a shop assistant in Frankfurt am Main. In 1940 police arrested Henny, who was Jewish and a lesbian, and deported her to the Ravensbrueck concentration camp for women. She was killed in 1942. Ravensbrueck, Germany, 1941. (US Holocaust Memorial Museum Photo Archives)

Nazis used the pink triangle to identify male prisoners sent to concentration camps for homosexuality. Originally intended as a badge of shame, the pink triangle has become a symbol of pride for the LGBT rights movement.

A recent painting on the theme is “Pink Triangle” by John Bittinger Klomp, a gay artist based in Florida.

“Pink Triangle” by John Bittinger Klomp, 2012

“The Pink Triangle was part of the system of triangles used by the Nazis during World War II to denote various peoples they deemed undesirable, and included Jews, Jehovah’s Witnesses and homosexuals,” Klomp said. The painting is part of his “Gay Dictionary Series” on words and symbols related to being gay.

The pink triangle appears in a variety of monuments that have been built around the world to commemorate LBGT victims of the Nazi regime. In January 2014 Israel'sfirst memorial for LGBT victims of the Holocaust was unveiled in Tel Aviv. Since 1984, more than 20 gay Holocaust memorials have been established in places ranging from San Francisco to Sydney, from Germany to Uruguay. Some are in the actual concentration camp sites, such as the plaque for gay victims in Dachau pictured below.

Plaque for gay victims at Dachau concentration camp by nilexuk


To see powerful photos of all the queer Holocaust memorials and read the stories behind them, visit:
http://andrejkoymasky.com/mem/holocaust/ho08.html

The logo for the Jesus in Love Blog also shows the face of Jesus in a pink triangle. He joins queer people in transforming suffering into power.

The last surviving man to wear the pink triangle in the concentration camps was Rudolf Brazda, who died in 2011 at age 98. His story is told in the video below and in his obituary at the New York Times.




Another of those who wore the pink triangle was an anonymous 60-year-old gay priest, brutally beaten to death because he refused to stop praying at the concentration camp in Sachsenhausen, Germany. Eyewitness Heinz Heger reported that the murder was so brutal that “I felt I was witnessing the crucifixion of Christ in modern guise.”

The priest is honored in the icon at the top of this post, “Holy Priest Anonymous One of Sachsenhausen.” It was painted by Father William Hart McNichols, a New Mexico artist and Catholic priest who was rebuked by church leaders for making LGBT-affirming icons of unapproved saints. His Anonymous Priest of Sachsenhausen icon appears in his book “The Bride: Images of the Church,” which he co-authored with peace activist Daniel Berrigan.

Here is the beginning of his tragic story, as told by Heger in his book The Men With the Pink Triangle.

Toward the end of February, 1940, a priest arrived in our block, a man some 60 years of age, tall and with distinguished features. We later discovered that he came from Sudetenland, from an aristocratic German family.

He found the torment of the arrival procedure especially trying, particularly the long wait naked and barefoot outside the block. When his tonsure was discovered after the shower, the SS corporal in charge took up a razor and said "I'll go to work on this one myself, and extend his tonsure a bit." And he saved the priest's head with the razor, taking little trouble to avoid cutting the scalp. quite the contrary.

The priest returned to the day-room of our lock with his head cut open and blood streaming down. His face was ashen and his eyes stared uncomprehendingly into the distance. He sat down on a bench, folded his hands in his lap and said softly, more to himself than to anyone else: "And yet man is good, he is a creature of God!"

The book goes on to recount in heartbreaking detail how the Nazis tortured the priest, hurling anti-gay slurs and beating him to death. More excerpts are available at the Queering the Church Blog in a post titled The Priest With the Pink Triangle.

The award-winning 1979 play “Bent” by Martin Sherman helped increase awareness of Nazi persecution of gays, leading to more historical research and education. A film version of “Bent” was made in 1997 with an all-star British cast including Clive Owen, Mick Jagger and Jude Law. Its title comes from the European slang word “bent” used as a slur for homosexuals.

In recent years new memoirs of gay Holocaust survivors have been published and queer theory has brought new understanding of the Gay Holocaust as not just atrocities, but also a system of social control. New books include:

I, Pierre Seel, Deported Homosexual: A Memoir of Nazi Terror by Pierre Seel (2011)

Lost Intimacies: Rethinking Homosexuality under National Socialism by William J. Spurlin (2008)

An Underground Life: Memoirs of a Gay Jew in Nazi Berlin by Gad Beck (2000)

The Pink Triangle: The Nazi War Against Homosexuals by Richard Plant (1988) -- first comprehensive book on the subject

Josef Jaeger by Jere' M Fishback (young adult novel based partly on the life of Jürgen Ohlsen, Nazi propaganda film star who turned out to be gay)


International Holocaust Remembrance Day is observed here with the prayer “We All Wear the Triangle” by Steve Carson. It appears in the book “Equal Rites: Lesbian and Gay Worship, Ceremonies, and Celebrations.” Carson was ordained by Metropolitan Community Churches and served congregations in New York, Boston and San Francisco.
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One: We are in many ways a culture without memory. The Holocaust, a series of events that occurred just over a generation ago, changed the world forever. Yet by some the Holocaust is forgotten, or seen as irrelevant, or even viewed as something that never happened.

All: As people of faith, we refuse to forget. We refuse to participate in the erasing of history. As a community of faith, we decide to remember, as we hear the historical record from Europe a generation ago and reflect upon events in our own time. We dare to listen to the voices of the past, even as they echo today.

One: In this moment, we are all Jews wearing the yellow Star of David.

All: We are all homosexuals wearing the pink triangle.

One: We are all political activists wearing the red triangle.

All: We are all criminals wearing the green triangle.

One: We are all antisocials wearing the black triangle.

All: We are all Jehovah’s Witnesses wearing the purple triangle.

One: We are all emigrants wearing the blue triangle.

All: We are all gypsies wearing the brown triangle.

One: We are all undesirable, all extendable by the state.

…Leader: To God of both memory and hope, we pledge ourselves to be a people of resistance to the powers of death wherever they may appear, to honor the living and the dead, and to make with them our promise: Never again!

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Related links:

Nazi Persecution of Homosexuals 1933-45 (US Holocaust Museum)

Lesbians and the Third Reich (US Holocaust Museum)

Pink Triangle (Qualia Encyclopedia of Gay Folklife)

Persecution of Homosexuals in Nazi Germany and the Holocaust (Wikipedia)

Holocaust Memorial Day: The Nazi Bid to Exterminate Gay People by Peter Tatchell (Huffington Post)

The Holocaust's Forgotten Victims: The 5 Million Non-Jewish People Killed By The Nazis by Louise Ridley (Huffington Post)


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This post is part of the GLBT Saints series at the Jesus in Love Blog. Saints, martyrs, heroes and holy people of special interest to gay, lesbian, bisexual and transgender (GLBT) people and our allies are covered on appropriate dates throughout the year.




Brigid and Darlughdach: Celtic saint loved her female soulmate

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“Saint Brighid and Darlughdach of Kildare” by Rowan Lewgalon and Tricia Danby (tir-anam.weebly.com)

Saint Brigid and her soulmate Darlughdach were sixth-century Irish nuns who brought art, education and spirituality to early medieval Ireland. Brigid (c.451-525) shares her name and feast day (Feb. 1) with a Celtic goddess -- and she may have been the last high priestess of the goddess Brigid.  Her followers still keep a flame burning for her.

Raised by Druids, Brigid seems to have made a smooth transition from being a pagan priestess to a Christian abbess. Today she is Ireland’s most famous female saint. Her name is also spelled Bridget.  Legend says that when she made her final vows as a nun, the bishop in charge was so overcome by the Holy Spirit that he administered the rite for ordaining a (male) bishop instead.

A younger nun named Darlughdach served as Brigid’s ambassador and her “anam cara” or soul friend. The two women were so close that they slept in the same bed. Like many Celtic saints, Brigid believed that each person needs a soul friend to discover together that God speaks most powerfully in the seemingly mundane details of shared daily life. The love between these two women speaks to today’s lesbians and their allies. Some say that Brigid and Darlughdach are lesbian saints.

Brigid started convents all over Ireland and became the abbess of the “double monastery” (housing both men and women) at Kildare. Built on land that was previously sacred to her divine namesake, the monastery included an art school for creating illuminated manuscripts.

After Brigid turned 70, she warned Darlughdach that she expected to die soon. Her younger soulmate begged to die at the same time. Brigid wanted her to live another year so she could succeed her as abbess. Brigid died of natural causes on Feb. 1, 525. The bond between the women was so close that Darlughdach followed her soulmate in death exactly one year later on Feb. 1, 526.

Both Christians and pagans celebrate St. Brigid’s Day on Feb. 1. It is also known as Imbolc, a spring festival when the goddess Brigid returns as the bride of spring in a role similar to the Greek Persephone. People still celebrate her day by weaving twigs into a square “Brigid’s Cross,” an ancient solar symbol traditionally made to welcome spring.

Brigid’s main symbol was fire, representing wisdom, poetry, healing and metallurgy. The nuns at the Kildare monastery kept a perpetual fire burning in Brigid’s memory for more than a thousand years -- until 1540 when it was extinguished in Henry VIII’s Dissolution of the Monasteries.

The Order of St. Brigid was reestablished in 1807. Two Brigidine sisters returned to Kildare and relit the fire in the market square for the first time in more than 400 years on Feb. 1, 1993. The perpetual flame is now kept at the Solas Bhride (Brigid’s Light) Celtic Spirituality Center that they founded there. In addition, anyone may sign up to tend St. Brigid’s flame in their own homes through the Ord Brighideach Order of Flame Keepers.

Two Celtic Christian artists based in Germany collaborated on the sensuously spiritual portrait of Brigid and Darlughdach at the top of this post. On the left is Darlughdach, painted as a fiery redhead by Rowan Lewgalon, and on the right is fair-haired Brighid, painted by Tricia Danby. Lewgalon and Danby are both clerics in the Old Catholic Apostolic Church as well as spiritual artists whose work is online at tir-anam.weebly.com.

"Saints Brigid and Darlughdach of Kildare"
By Brother Robert Lentz, OFM. © 1999

Brigid and Darlughdach are shown with their arms around each other in the above icon by Brother Robert Lentz. He is a Franciscan friar and world-class iconographer known for his progressive icons. The two women are dressed in the white gowns worn by Druid priestesses and Celtic nuns. Flames burn above them and on the mandala of Christ that they carry. It is one of 40 icons featured in his book Christ in the Margins.

The icon was commissioned by the Living Circle, a Chicago-based interfaith spirituality center for the gay, lesbian, bisexual and transgender (GLBT) community and their friends. Four Living Circle members took the original icon to Kildare with them in 2000 for the flame-lighting ceremony at the recently excavated site of Brigid’s ancient fire temple.

Dennis O’Neill, the priest who founded the Living Circle, includes the icon and an in-depth biography of Brigid and Darlughdach in his book “Passionate Holiness: Marginalized Christian Devotions for Distinctive People.”

Brigid’s spirit of fun and hospitality is expressed in her reputation for loving beer. She made beer for the poor every Easter. In a well known poem attributed to Brigid, she envisioned heaven as a great lake of beer. Here are some of the words to St. Brigid’s Prayer, as translated and performed by Irish singer Noirin Ni Riain:

I’d sit with the men, the women of God
There by the lake of beer
We’d be drinking good health forever
And every drop would be a prayer.

Riain also sings a heavenly Ode To Bridget on the video below and on her Celtic Soul album.


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Related links:

February 1st: Celebrate Brigit's Day by Diann Neu (WATER)

Santa Brigid y Darlughdach: Irlandés santo amaba a su alma amiga (Santos Queer)
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Icons of Brigid and Darlughdach and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores



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This post is part of the GLBT Saints series at the Jesus in Love Blog. Saints and holy people of special interest to gay, lesbian, bisexual and transgender (GLBT) people and our allies are covered on appropriate dates throughout the year.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

New LGBTQ Christian books - February 2015

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New LGBTQ Christian books are coming out as the new year begins. Both books this month are in the "LGBT people in church" category.

LGBT people in the church

Beyond Heterosexism in the Pulpit” by Emily Askew and O. Wesley Allen Jr.
The book aims at ministers looking for better strategies to speak from the pulpit in favor of LGBT rights while respecting congregants who disagree. The authors are both professors at Lexington Theological Seminary. Their approach combines critical theology and contemporary homiletics.


LGBT In The Name of God: The Black Church's Response to the LGBT Community” by Christopher James Priest. 
Pointed, witty essays aim at building honest dialogue in African American churches about LGBT issues. The author is a Baptist pastor with 50 years’ service in the black church – but he is best known as the first African American writer in the comic-book industry. Topics include same-sex marriage, the black church’s unwritten “Don’t Ask, Don’t Tell” policy, and the roots of homophobia in traditional church doctrine. It includes a foreword by Benjamin L. Reynolds, former director of the LGBTQ Religious Studies Center at Chicago Theological Seminary.

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Related links:

Top 25 LGBTQ Christian books of 2014 named

Top 20 Gay Jesus books

Jesus in Love Bookstore (includes LGBT Christian classics)

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Top LGBT Christian arts stories of 2014 named at Jesus in Love Blog

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“The Resurrection” by Eny Roland (Courtesy of ArtCenter/South Florida) was featured in the year's top story

Art museums exploring queer Latino Christian imagery on both coasts became the most popular LGBT spiritual news story for 2014 at the Jesus in Love Blog.

In a close race for the top three spots, the second-ranked article was “Homosexuality of Jesus explored by 18th-century philosopher Jeremy Bentham.” A round-up of the year’s best LGBTQ Christian books came in third.

The top stories of the year were named today by Kittredge Cherry, founder of the Jesus in Love Blog on LGBT Spirituality and the Arts. The ratings are based on page views reported by Google Analytics.

The blog’s most popular classic story, a blockbuster reposted every year in various forms since 2008, continued to be a Holy Week series based on the gay Passion of Christ paintings of Douglas Blanchard with reflections by Cherry. The paintings present Jesus as a contemporary gay man in a modern city. “The Passion of Christ: A Gay Vision,” a book based on the blog series, was published in fall 2014 and became the year's bestselling book at the Jesus in Love Blog.

The most popular saints of 2014 were all early Christian martyrs. Sergius and Bacchus took first place, followed by Perpetua and Felicity. The most popular transgender story was Saint Wilgefortis.

The year’s most popular alternative saints were 20th-century author-priest Henri Nouwen and 13th-century Sufi mystic Rumi. They were followed by poet Christina Rossetti, Quaker preacher Jemima Wilkinson (Universal Publick Friend), theologian Marcella Althaus-Reid and author Radclyffe Hall.

Saint Sebastian was a wildly popular saint at Santos Queer, a blog offering Spanish-language translations of Jesus in Love. His profile got more than 10,000 page views in 2014, about three times more than any post in English.

The blog's biggest splash on Facebook came from an article about African American winter holiday Kwanzaa. It introduced a rare icon of a black queer Christ by David Hayward, and it was quickly shared and went viral.

“Jesus in Love has become the go-to place for new and innovative material on the gay Jesus and queer saints,” Cherry said. “Readers love the pioneering LGBT Christian art and groundbreaking historical research presented here. It is hard to find anywhere else except at Jesus in Love.”

Here is a list of the year’s top stories in a variety of categories. Click the headlines to go to the original posts at the Jesus in Love Blog.


Top new stories of 2014

1. Art museums explore queer Christian themes in new exhibits

2. Homosexuality of Jesus explored by 18th-century philosopher Jeremy Bentham

3. Top 25 LGBTQ Christian books of 2014 named

4. Mystical same-sex marriage affirmed in Renaissance art and new book "Saintly Brides and Bridegrooms”

5. Rainbow Christ Prayer goes nationwide at churches, seminaries and events


Most popular classic stories in 2014

Gay Passion paintings on display
(Photo by Dorie Hagler)
1. Gay Passion of Christ series starts Sunday

2. Gay artist paints :Intimacy with Christ" (Richard Stott)

3. Artist paints gay spiritual struggles (Wes Hempel)


Most popular official saints / Bible characters

"Sts. Sergius and Bacchus"
by Plamen Petrov
1. Saints Sergius and Bacchus: Male couple martyred in ancient Rome

2. Perpetua and Felicity: Patron saints of same-sex couples

3. Gay centurion: Jesus heals a soldier’s boyfriend in the Bible

4. John the Evangelist: Beloved Disciple of Jesus

5. David and Jonathan: Love between men in the Bible

6. Ruth and Naomi: Biblical women who loved each other

7. Brigid and Darlughdach: Celtic saint loved her female soulmate


Most popular alternative saints in 2014

"Henry Nouwen" by Robert Lentz
1. Henri Nouwen: Priest and author who struggled with his homosexuality

2. Rumi: Poet and Sufi mystic inspired by same-sex love

3. Christina Rossetti: Queer writer of Christmas carols and lesbian poetry

4. Jemima Wilkinson: Queer preacher reborn in 1776 as “Publick Universal Friend”

5. Marcella Althaus-Reid : Saint of a sexually embodied spirituality

6. Radclyffe Hall: Queer Christ themes mark life and work of pioneering lesbian author

7. Bayard Rustin: Gay saint of civil rights and non-violence


Most popular women’s stories

"Felicity and Perpetua" by
Maria Cristina
1. Perpetua and Felicity: Patron saints of same-sex couples

2. Ruth and Naomi: Biblical women who loved each other


Most popular transgender story

1. Saint Wilgefortis: Holy bearded woman fascinates for centuries


Most popular Spanish-language story

San Sebastián: El primer ícono gay de la historia
English version: Saint Sebastian: History’s first gay icon


Bestselling books of 2014 at Jesus in Love


1. “The Passion of Christ: A Gay Vision” by Kittredge Cherry and Douglas Blanchard

2. “From Sin to Amazing Grace: Discovering the Queer Christ” by Patrick Cheng

3. “Art That Dares: Gay Jesus, Woman Christ, and More” by Kittredge Cherry

4. “Forbidden Rumi: The Suppressed Poems of Rumi on Love, Heresy, and Intoxication” translated by Nevit O. Ergin and Will Johnson

5. “The Daring of Paradise” by Brian Day

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Related links:

2013’s top 10 LGBT spiritual arts stories

2012’s top 10 LGBT spiritual arts stories

2011’s top 10 LGBT spiritual arts stories

2010’s top 7 LGBT spiritual arts stories

2009’s top 7 GLBT spiritual arts stories

2008’s top 5 queer-spirit arts stories

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Bestselling books of 2014:


Gay Jesus painting shown in New Zealand: Christopher Olwage paints LGBT Christian scenes

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Christopher Olwage paints gay visions of Jesus and the man he loved

A sacred vision of homosexuality and Christianity appears in monumental nude paintings of Jesus and the men he loved by gay New Zealand artist Christopher Olwage. His crucifixion painting will go exhibit starting tomorrow (Feb. 11) at the Auckland Pride Festival.

Olwage is a gifted artist and LGBTQ activist, but he is best known as a professional dancer. Fans call him “the Black Swan” for his pointe ballet performances. In 2013 he danced on “New Zealand’s Got Talent” and won the Mr. Gay World contest for the second year in a row. Born and raised in South Africa, he has lived in New Zealand since 2002.

He has completed three large-scale paintings of Jesus interacting with his Beloved Disciple and other Biblical men in classic scenes from the life of Christ: “The Last Supper,” “Ecce Homo” and “Crucifixion.”

“They are part of a series that I am devoting to the discourse on sacred sexuality, Christianity and homosexuality,” Olwage told the Jesus in Love Blog. “The themes are not new by any means but this is my take on them... I have been reading many discourses on the Beloved disciple, I myself studied ancient Greek at University, and religion has always been a passion. These artworks have been many years in the making...”

“Crucifixion” by Christopher Olwage (oil on canvas)

In “Crucifixion” Olwage shows a group of men reacting in various ways as Jesus on the cross. All are figures that Bible scholars believe may have had male-male sexual relationships. John, who is most often identified as the Beloved Disciple and lover of Jesus, kneels and throws his head back, overcome by emotion. Lazarus, who is also considered a possible sex partner of Jesus, bows his head in sorrowful prayer beneath a rainbow hood.

The scene is framed by a male couple: the Centurion on the left and the youth “who was dear to him.” Scholars say they may have been in an “erastes-eromenes” sexual relationship, but Jesus gladly healed the youth at the Centurion’s request.

Olwage’s art is informed not only by his queer religious studies, but by his personal experience of suffering and new life. In his moving video “I am the Black Swan,” he dances as he describes his transformation from an “ugly duckling” into the Black Swan. He was an overweight gay youth, bullied into attempting suicide, but he grew into the proud gay artist, activist and dancer that is he is today.

“Crucifixion” is part of the annual “Rainbow Youth Pride Art Exhibition” on display Feb. 11 to 26 at Studio One, 1 Ponsonby Road in Auckland. The exhibit showcases creativity from a range of young, emerging, and established LGBTQ (and allied) artists exploring sexuality and gender diversity in relation to politics, history, communities and identity.

YouTube videos feature his appearance on "New Zealand's Got Talent,""I am the Black Swan" and his Dance Works Showreel.







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This post is part of the Queer Christ series by Kittredge Cherry at the Jesus in Love Blog. The series gathers together visions of the queer Christ as presented by artists, writers, theologians and others.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Brothers by affection: Saints Polyeuct and Nearchus

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Saints Polyeuct and Nearchus
By Brother Robert Lentz, OFM. © 1995, trinitystores.com

Saints Polyeuct and Nearchus were Roman soldiers in 3rd-century Armenia and “brothers by affection.” They are a prime example of same-sex lovers in the early church. Polyeuct’s feast day is Feb. 13.

The earliest account of Polyeuct’s martyrdom, a 4th-century Armenian biography, says that they were “brothers, not by birth, but by affection” and enjoyed “the closest possible relationship, being both comrades and fellow soldiers.”

St. Polyeuctus (Wikimedia Commons)
Nearchus was Christian, but Polyeuct was not. The men had a strong desire to spend eternity together, so Polyeuct converted from paganism to Christianity, the faith of his beloved Nearchus. With a convert’s zeal he attacked a pagan procession.  He was beheaded for his crime in the year 259 in the western Armenian city of Militene. Shortly before he was executed, he spoke his last words to Nearchus: “Remember our secret vow.” Thus Polyeuct is known as a protector of vows and avenger of broken promises, in addition to his role as a probable “gay saint.”

Yale history professor John Boswell names Polyeuct and Nearchus as one of the three primary pairs of same-sex lovers in the early church. (The others are Perpetua and Felicity and Sergius and Bacchus.) The love story of Polyeuct and Nearchus is told with extensive historical detail in two books, “Same Sex Unions in Pre-Modern Europe” by Boswell and “Passionate Holiness” by Dennis O’Neill. He is founder of the Living Circle, the interfaith LGBT spirituality center that commissioned the above icon of the loving same-sex pair.

The icon is by Brother Robert Lentz, a Franciscan friar and world-class iconographer known for his innovative icons. It is one of 10 Lentz icons that sparked a major controversy in 2005. Critics accused Lentz of glorifying sin and creating propaganda for a progressive sociopolitical agenda, and he temporarily gave away the copyright for the controversial images to his distributor, Trinity Stores.

Polyeuctus and Nearchus by Jim Ru
Artist Jim Ru was also inspired to paint Polyeuct and Nearchus. His version was displayed in his show “Transcendent Faith: Gay, Lesbian and Transgendered Saints” in Bisbee Arizona in the 1990s.

O’Neill reports that French writer Robert Dartois recently took the story of Polyeuct and Nearchus from “Passionate Holiness” and turned it into a libretto, which was then set by the Swiss composer Thierry Chatelain as the oratorio “Polyeucte et Nearchus.”

There are many variations in the spellings of their names, such as Polyeuctus, Polyeuctes, Polyeuktos and Nearchos and Nearch. Polyeuct’s feast day is Feb.13 in the Catholic calendar, but falls on Jan. 9 in the Eastern Orthodox tradition and Jan. 7 in ancient Armenian calendars. The feast day for Nearchus is April 22.

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Related links:

Saints Polyeuct and Nearchos, 3rd Century Lovers and Martyrs (Queer Saints and Martyrs -- And Others)

Homosexuality and Tradition: Polyeuct and Nearchus (Pharsea's World)

Hermanos de afecto: Santos Polieucto y Nearco (Santos Queer)

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This post is part of the GLBT Saints series at the Jesus in Love Blog. Saints and holy people of special interest to gay, lesbian, bisexual and transgender (GLBT) people and our allies are covered on appropriate dates throughout the year.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

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Icons of Polyeuct and Nearchus and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores


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