Sor Juana Inés de la Cruz
By Lewis Williams, SFO trinitystores.com
Sor Juana Inés de la Cruz was a 17th-century Mexican nun whose critically acclaimed writings include lesbian love poetry. She is considered one of the greatest Latin American poets, an early advocate of women’s rights, and some say, North America's first lesbian feminist writer. Her feast day is today (April 17).
Production begins this summer on a film based on “Sor Juana’s Second Dream
,” a novel in which author Alicia Gaspar de Alba explores Sor Juana's romance with a Mexican countess.Sor Juana (Nov. 12, 1648 - April 17, 1695) was born out of wedlock near Mexico City in what was then New Spain. She was a witty, intellectually gifted girl who loved learning. Girls of her time were rarely educated, but she learned to read in her grandfather’s book-filled house.
When she was 16, she asked for her parents’ permission to disguise herself as a male student in order to attend university, which did not accept women. They refused, and instead she entered the convent in 1667. In her world, the convent was the only place where a woman could pursue education.
Sor Juana’s convent cell became Mexico City’s intellectual hub. Instead of an ascetic room, Sor Juana had a suite that was like a modern apartment. Her library contained an estimated 4,000 books, the largest collection in Mexico. The following portrait from 1750 shows her in her amazing library, surrounded by her many books.
Sor Juana Inés de la Cruz by Miguel Cabrera, 1750 (Wikimedia Commons)
She turned her nun’s quarters into a salon, visited by the city’s intellectual elite. Among them was Countess Maria Luisa de Paredes, vicereine of Mexico. The two women became passionate friends. It’s unclear whether they were lesbians by today’s definition, but Maria Luisa inspired Sor Juana to write amorous love poems, such as:
That you’re a woman far away
is no hindrance to my love:
for the soul, as you well know,
distance and sex don’t count.
Click here for more of Sor Juana’s lesbian poems in English and Spanish.
The romance between Sor Juana and Maria Luisa continues to be an inspiration for contemporary writers and film makers. Poet and Chicano studies scholar Alicia Gaspar de Alba writes about it vividly in her novel “Sor Juana’s Second Dream
.” The novel became the basis for the play “The Nun and the Countess” by Odalys Nanín.Production begins this summer on a movie based on Gaspar de Alba's novel. Mexican actress Ana de La Reguera will play Sor Juana in "Juana de Asbaje," the film adaptation of Gaspar de Alba’s novel. She co-wrote the screenplay with the film's director, Rene Bueno.
Church authorities cracked down on Sor Juana, not because of her lesbian poetry, but for “La Respuesta,” her classic defense of women’s rights in response to opposition from the clergy. Threatened by the Inquisition, Sor Juana was silenced for the final three years of her life. At age 46, she died after taking care of her sisters in an outbreak of plague.
She is not recognized as a saint by the male-dominated church hierarchy that she criticized, but Sor Juana holds a place in the informal communion of saints honored by lesbian, gay, bisexual and transgender people of faith and our allies. She is especially revered as a role model by Latina feminists.
The icon at the top was painted by Colorado artist Lewis Williams of the Secular Franciscan Order (SFO). Sor Juana sits between Mexico City’s two volcanoes, the male Popocatépetl and the female Iztaccíhuatl, symbolizing the conflict between men and women that she experienced in trying to get an education. She holds a book with a quote from her writings: “The most unforgivable crime is to place people’s stature in doubt.”
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This post is part of the GLBT Saints series at the Jesus in Love Blog. Saints and holy people of special interest to gay, lesbian, bisexual and transgender (LGBT) people and our allies are covered on appropriate dates throughout the year.
